At the root of the complex story of the Crown of Aleppo are two very different ideas about what exile means and who represents the Jewish people. For many of the Jews who left Aleppo in the 1940s and 50s, largely immigrating not to Israel but to New York and more far-flung countries, Aleppo had been home, the crown a symbol of their ancient and vibrant community. For them, the flight from their city marked not the end but the beginning of exile, and from their perspective the Crown was undoubtedly theirs alone to keep. For Zionist leaders, the Crown, like the Dead Sea Scrolls, became a symbol of a larger Jewish history of exile one that had now triumphantly returned to the newly born Jewish State. The question of how Murad Faham, the Syrian Jew entrusted with spiriting the Codex out of Aleppo and to Israel, comes to hand it over not to the head of the Aleppo community but to the Aliya Department of the Jewish Agency, would create generations of disagreements and a court case, finally resulting in the Aleppo Jewish community losing their greatest treasure.More reviews etc. here and links.
In describing the current state of the Aleppo Codex, now partially on display in the Shrine of the Book at the Israel Museum, Friedman does not mince words. “The Crown of Aleppo was never given to Israel,” he writes. “It was taken.”